Micah Crandall-Bear’s abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear layers that cascade from atmospheric to subterranean. Landscape details hint at daily and seasonal shifts in light, evoking a sense of evolution and balance. He presents abstractions that inspire a deep and effusive connection to nature.
Crandall-Bear achieves longitudinal depth by exacting precisely rendered lines and seamless expanses of color. This explicitly composed depth communicates a sense of contingency and locality. Micah’s construction of space is enhanced by his painting method. His ‘wet-on-wet’ method is a contemporary application of ‘alla prima,’ a traditional technique used mostly in oil painting, where layers of wet paint are applied to previous layers of wet paint. No matter how precise or general the area, Micah’s layered brushstrokes are decisive, but also gestural, often spanning the entire surface of the canvas from left to right. This highly active method of painting is sometimes tempered through rapid buffing and blending. The outcome is a smooth, boundless, and energetic surface.
As a Sacramento, California native, Crandall-Bear established his artistic roots locally and continues to promote the growth of his community. His work is represented in the United States, Asia, and Europe. He has been featured in ArtSlant, Art Maze Mag, American Art Collector Magazine, Forbes and more.